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Canon Cameras

Canon Cameras. The popular Canon Camera Digital Rebel XT - the second generation of the Rebels - is such a small SLR camera that it can possibly be mistaken for a compact digital! However, once you look at some of the specifications, it is clear that these Canon cameras fit squarely into the SLR league.

Apart from actually being one of the SLR Canon cameras, there is the small (or not so small) matter of the image sensor! Even though the Canon Camera Digital Rebel XT has the same megapixel rating as the 8MP PowerShot Pro-1, its sensor is much bigger.

A bigger sensor for the same number of pixels indicates bigger and better pixels, promising an expanded dynamic range, and less visible noise.

How does the Canon Camera Digital Rebel XT compare with the original Rebel? To start off with it is much smaller and lighter, and its start-up time is reduced to 0.2 seconds. Similarly the shutter lag has been reduced, and pixels increased by 20%.

The Canon Digital Camera Rebel XT also records at 3fps, compared to the older Rebel's 2.5 frames per second. It also features a higher pop-up flash, which should reduce the incidence of red-eye.

Of course, what is ultimately important is the quality of the images it produces, and in this regard the Canon Digital Camera Rebel XT has received rave reviews. At various ISO settings - even up to 800 or 1600 very little noise has been found, and virtually no fringing. Daylight shots have produced vivid color with very clear detail.

As a consumer digital SLR the Canon Camera Digital Rebel XT allows novices to take excellent pictures in most basic situations on Full Auto, and in specific situations using the scene modes such as Portrait, Landscape, Close-up, Sports, and Night Portrait.

The Canon Digital Camera Rebel XT package includes a good manual - something often lacking with even excellent cameras! An example: Canon devotes a full page to the differences between the two auto modes provided, with many answers to the questions you may have when using a camera with so many features.

Finally, advanced enthusiasts have access to many manual controls and pro-level features, and will be especially pleased about the number of interchangeable lenses available for the Canon Digital Camera Rebel XT.

In fact, you have the option of more than 50 EF and EF-S Lenses, and most EOS System accessories, including a dedicated Battery Grip. If your budget allows, you can experiment with all these accessories if you are the owner of a Canon Digital Camera Rebel XT!

Also, check out my other guide on Digital Cameras

Digital SLR Camera

Digital SLR Camera . A digital SLR camera can be defined using its many features but the best description is based on its optical system, speed and clarity when compare to any point-and-shoot digital camera.

In essence this is a digital camera that enables the user to see the picture exactly as it is without being altered by any digital features inside the camera.

The manner in which a digital SLR camera is built enables it to deliver the highest quality images. In a compact or point and shoot digital camera the image that you see through the eyepiece or the LCD screen is digitally generated whereas in a digital SLR camera the image is taken to the viewfinder by mirrors and lenses that reflects the image from one mirror to another.

A digital SLR camera is versatile. For example, it has interchangeable lenses that allows the user to use a custom build lens for a particular shot - this could be a portrait shot, a landscape shot, micro or macro shot.

Some of the prominent features that mane a digital SLR camera different and superior to the point a shot camera include, Large image sensors that produce high picture quality, Quick click and shoot capability - no lag time and as mentioned above they have detachable lenses.

When shopping for a Digital SLR Camera people often overlook or skimp on the camera's lenses. Camera Lenses serve as the digital SLR cameras "eye," the lens determines what and how your camera will see your subject and how well that view is transmitted to the camera's sensor chip for recording.

The way I like to look at camera lenses is as painter's brushes, broad strokes, medium stokes, all purpose brushes, and small detail brushes. There is a lot to learn about digital slr camera lenses and this article will serve as a basic outline to understanding them. The following sections explain the basic types of digital SLR camera lenses, how they work, and how to select them.

Focal Length

On a digital SLR camera the focal length of the lenses measures the distance between the lens and the image sensor, measured in millimeters. Lenses can be classified into subgroups like prime, macro, wide angle, normal, telephoto, and zoom lenses. They are also rated in regards to f-stop or speed an example would be a F2.0 50mm lens or a 1.4F 80mm lens. Prime Lenses:

Prime lenses are fixed focal length lenses like a 50mm 1.4f lens. Traditionally prime lenses are sharper and faster then zoom lenses. If you are on a budget you can pick up some amazing used older prime lenses off eBay or your local camera store.

Macro Lenses:

Macro Lenses are your detail brushes they enable you to get up close and personal with your subject. These types of lenses are used for extreme close ups on small objects like daisies, pennies, and food but not limited to these types of subjects. Examples of macro lenses are 50mm and 100mm macros. These lenses are also great for selective focus types of photos.

Wide-angle Lenses:

Wide-angle lenses are your broad stroke brushes; these types of lenses have short focal lengths. A way to check if the wide-angle lenses you are interested in has convergence is to take test pictures before buying the lens. With high quality wide angles lenses like Canon L series lenses address this convergence issue well. Examples of wide-angle lenses are 15MM, 17mm, 24mm and 28mm lenses.

Normal Lenses:

Normal Lenses try to mimic how the human eye sees and are some of the most versatile lenses you can use. These are my all purpose brushes, and are somewhere between a wide angle and a telephoto lenses. If you buy just one lens try and buy the fastest normal lenses you can like a 50mm 1.4f lenses. Some examples of normal lenses are 35mm; 50mm, 65mm and some consider a 80mm a normal lens.

Telephoto Lenses:

Lenses with long focal lengths 100mm and higher are called telephoto lenses. A long focal length seems to bring the subject closer to you and increases the subject's size in the frame. Telephoto lenses also give your subjects a graphic look and flatten out your subject. These lenses are my short stroke brushes.

Zoom Lenses:

Zoom lenses are special because they can be very versatile. These types of lenses vary in their focal lengths and come in many in wide-angle, telephoto, and wide-angle to telephoto. In my bag I carry a 17mm to 35mm my wide-angle broad brush, 24mm to 70mm my medium brush, and a 80mm to 200mm my short brush.

With these three lenses I get a very board range of focal lengths for any situation. When shopping for a zoom lenses check out the f-stop range rating. An example is a 24mm to 300mm f3.5-f5.6 lenses meaning the lowest f-stop you can shoot is at the 24mm range of the lenses and when you zoom to 200mm the lowest you can go is f5.6.

Zoom lenses can give you flexibility and versatility all in one lenses. Understanding what these different groups of lenses can do will help you make more informed decisions on what lenses to purchase and what to put in your camera bag.

Also, check out my other guide on SLR digital Camera

Nikon Digital

Nikon Digital. The Nikon D70 SLR is ideally suited to Digital Infrared Photography mainly due to the power of its custom settings.

I'm going to take a few moments to show you what camera settings I use for my digital infrared photos and hopefully help you get the best results from your Nikon digital SLR.

First thing - get a tripod, this is pretty much a must for perfect infrared shots, and the infrared filter of your choice - I like the Hoya R72.

Next, take some time to plan your digital infrared photograph. Taking the time to do this upfront will help eliminate some of the uncertainties of digital infrared photography, which can result in only an ok photo, rather than a WOW! photo.

As always with these kinds of things, there is no one right way to achieve results. But these steps are the ones that I have had the most success with, using my D70 so far.

Image Type

For digital infrared photography I really prefer to shoot in RAW mode. Although Nikons native NEF format is so versatile, it just doesn't come up to the high quality of RAW mode, and any imperfections can always be edited out using Photoshop or Paint Shop Pro.

ISO

Good results can be achieved by increasing the ISO setting, but I've had the best results when I leave it at 200. Otherwise the noise is just too great - at least in my opinion. I also do a fair amount of post processing in Photo shop , so noise is a problem when working at higher magnifications.

Remember, unlike infrared film, where the graininess is part of the look and feel of the image, digital infrared "grain" or noise really degrades your image. If you want to add the look of grainy film, do it in Photoshop, or other image-editing program.

White Balance

In my experience, setting a custom white balance is a key to GOOD Digital Infrared Photography with the Nikon d70. Because you are using a filter that blocks most "regular" light, the camera's internal white balancing mechanism cannot provide you with an accurate measurement of the colour temperature of your environment.

Since foliage reflects IR light, making it the brightest, whitest part of your photo, you'll need to "calibrate" your D70 to let it know that visible light green is equal to infrared white.

There are a couple of ways to do this.

1. The simplest white balance method using the D70 is to open your menu, use the control button to flip down to the white balance setting, and change it to fluorescent +3. Since for infrared photography you'll be most likely shooting in bright sunlight with a "red" filter, adding some false color correction in the camera, seems to give your final IR images more "punch." I have also found the incandescent setting works too.

2. Another way to adjust white balance for digital infrared photography with the Nikon D70 is to take a photo of green grass at midday in full sun. Just the grass - no feet, no trees, no sky. Just point your camera at the grass looking straight down, and click! Now, in your menu, you'll set the white balance from this photo. So, go to your menu, select white balance, >preset> use photo>select image> use your control dial to navigate to the image of the grass (hopefully it is the only one on your card to make it easy). Your menu should now say "this image>set." Now you're ready to shoot infrared!

Also, check out my other guide on buy cameras